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    • Support in multimedia design

    William Kentridge – I am not me, the horse is not mine

    Wystawa “William Kentridge – I am not me, the horse is not mine” to imponująca, ośmiokanałowa instalacja wideo autorstwa południowoafrykańskiego artysty Williama Kentridge’a, wymagająca zaawansowanego podejścia technicznego. Projekt realizowany w przestrzeni Galerii Arsenał wiązał się z wyjątkowymi wyzwaniami wynikającymi z ograniczeń architektonicznych – stosunkowo małej powierzchni sali wystawienniczej oraz nisko zawieszonego sufitu.

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    Zachęta – Tears of Happiness

    The exhibition "Tears of Happiness" at the Zachęta National Gallery of Art in Warsaw is a unique event that blends contemporary art with reflections on emotions typically seen as positive but which can also have deeper, more complex meanings. The title of the exhibition refers to the paradox of joy, which is not always straightforward and can sometimes intertwine with sadness, longing, or nostalgia.

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    Nan Goldin – The Ballad of Sexual Dependency.

    As part of the group exhibition BOHEMIA: History of an Idea, 1950–2000 at Kunsthalle Praha, one of Nan Goldin’s most famous works, The Ballad of Sexual Dependency, was presented. This piece is an intimate portrait of the life of the artist and her friends during the 1970s and 1980s. At Kunsthalle Praha, this legendary work was showcased in its original format, using analog slide projectors.

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Art Encounters Biennial: “My Rhino is not a Myth”

The 5th edition of the Art Encounters Biennial, titled "My Rhino is not a Myth," explores the intersection of art, science, and fiction. It draws inspiration from Albrecht Dürer’s 1515 woodcut of a rhinoceros, a creature the artist never saw. The biennial delves into themes of imagination, geopolitical history, and the complex entanglements between art and science, proposing new ways to perceive reality amidst environmental and social transformations. The title also references Eugène Ionesco’s play "Rhinocéros," addressing conformity and resistance.