TRAFO – Yuriko Sasaoki “Disappear from the Earth”

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Eidotech Polska played a key role in the comprehensive execution of the permanent exhibition at the Memorial Chamber at the Warsaw Insurgents Cemetery. The company was responsible for the entire process, from planning, through selecting the appropriate equipment, to the final realization of Krzysztof Wodiczko's project "Voices of Memory."

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Wystawa “William Kentridge – I am not me, the horse is not mine” to imponująca, ośmiokanałowa instalacja wideo autorstwa południowoafrykańskiego artysty Williama Kentridge’a, wymagająca zaawansowanego podejścia technicznego. Projekt realizowany w przestrzeni Galerii Arsenał wiązał się z wyjątkowymi wyzwaniami wynikającymi z ograniczeń architektonicznych – stosunkowo małej powierzchni sali wystawienniczej oraz nisko zawieszonego sufitu.

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The centerpiece of Nodes by Agnieszka Mastalerz, presented at the XX1 Gallery in Warsaw (Mazovian Institute of Culture) as part of the exhibition Entanglement / Uwikłanie, is a film that explores the history of humanity’s relationship with orchids. From magical love rituals to the modern orchid industry, worth $230 million, the artist examines how interdependence can take various forms—both in intimate contexts and on a mass scale.

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As part of the group exhibition BOHEMIA: History of an Idea, 1950–2000 at Kunsthalle Praha, one of Nan Goldin’s most famous works, The Ballad of Sexual Dependency, was presented. This piece is an intimate portrait of the life of the artist and her friends during the 1970s and 1980s. At Kunsthalle Praha, this legendary work was showcased in its original format, using analog slide projectors.

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In March 2025, the Zachęta National Gallery of Art in Warsaw opened the exhibition “Andrea Fraser. Art Must Hang,”a comprehensive presentation of the work of one of the most influential figures in contemporary institutional critique.

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The exhibition Pan Herbert – Podróżnik invites visitors to follow in the footsteps of Zbigniew Herbert, the author of Barbarian in the Garden, and delve into his philosophy of travel. Accompanying the poet’s manuscripts were immersive audiovisual installations that filled the walls and ceilings of the Palace of the Commonwealth with a dynamic interplay of visuals and sound.

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EIDOTECH QUADRA 40.3 is a professional display designed specifically for content created in the classical 4:3 format. Built for museums, galleries and exhibition spaces, it offers a reliable and uncompromised way to present archival, historical and artistic video works exactly as intended.

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The exhibition "Tears of Happiness" at the Zachęta National Gallery of Art in Warsaw is a unique event that blends contemporary art with reflections on emotions typically seen as positive but which can also have deeper, more complex meanings. The title of the exhibition refers to the paradox of joy, which is not always straightforward and can sometimes intertwine with sadness, longing, or nostalgia.

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The 5th edition of the Art Encounters Biennial, titled "My Rhino is not a Myth," explores the intersection of art, science, and fiction. It draws inspiration from Albrecht Dürer’s 1515 woodcut of a rhinoceros, a creature the artist never saw. The biennial delves into themes of imagination, geopolitical history, and the complex entanglements between art and science, proposing new ways to perceive reality amidst environmental and social transformations. The title also references Eugène Ionesco’s play "Rhinocéros," addressing conformity and resistance.

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Mould / Forma was Agnieszka Mastalerz’s first institutional solo exhibition in Poland. The artist presented two new video works — “Mould” and “Ὁδός” — which share common themes of movement, expression, and the creative process. The exhibition took place as part of Warsaw Gallery Weekend +. Eidotech Polska was the technological partner of the exhibition. […]